My works “The World Is Here” is selected for Chicago based Agitator Gallery‘s October Group Show : And Then. You can visit the show online. And the book of the exhibition is published.
“AND THEN is a storytelling exhibit curated by Agitator member Gretchen Hasse that shares our visions of what lies beyond our current state. What do you hope for? What do you fear? What kind of world do you want? What do you think it will take to get there? Join us to find out on Saturday, October 17, 2020!”
“Myths and Dreams” is a modest tribute to Anatolia’s infinitely rich cultural patrimony, featuring works by contemporary artists living in this region of the world and about its places with an ancient past or mythological imagery. The exhibition emphasizes that we inhabit a universe of images where yesterday and today come together on one single plane, and that our cultural heritage is not an abstract entity independent of our present. With a particular focus on Anatolia’s memory lane, it allows us to look at the legends as our collective consciousness connecting us to each other.
Two of my works were selected for Myths and Dreams exhibition curated by İpek Yeğinsü. The exhibition was between 5 July- 5 September at Kıraathane 24.
Three of my works were exhibited at Mixer Printed exhibition under the title “Multiple Choice” curated by Marcus Graf between 11 April- 1 June.
eng. The works titled Symbiosis and Under the Water are following each other. These works focuses on the concept of growth and the progress of time. The thick lines used in the work Symbiosis and the image of the girl who is about to integrate with the water are transformed into a young woman with lines getting thinner in the work Under the Water. Where she releases the creatures belonging to the water that she was bound to in Symbiosis and opens a space for breathing under water. Thus it shows us that it is possible to be free from the past ties and become an individual with the progress of time even the shadows of the dark moments and symbiotic ties still exists within.
tr. Sergilenen Simbiyoz ve Suyun Altı başlıklı işler birbirini takip eden çalışmalardır. Bu çalışmalar büyüme olgusu ve zamanın ilerleyişi üzerine yoğunlaşır. Simbiyoz’da kullanılan kalın çizgiler ve suyla bütünleşmek üzere olan kız çocuğu imgesi Suyun Altı’nda incelen çizgilerle genç bir kadına dönüşür. Simbiyoz’da bağlanmış olduğu suya ait canlıları serbest bırakır ve kendine suyun altında, suyun olmadığı; nefes alabileceği bir alan açar. Böylece karanlık anların ve simbiyotik bağların gölgesi üzerinde kalmış olsa dahi zamanın ilerleyişi ile birlikte kişiyi gerileten bağlardan arınmanın ve birey olabilmenin mümkün olduğunu bize gösterir.
Curated by Bahar Güneş and Öykü Demirci Festival of Insignificance exhibition was held between 10 March-14 April at Halka Art Project, Istanbul. Six of my works from the I Wonderland series were selected for the group show.
“halka sanat projesi brings together the paintings, photos, videos and poem installations by Baysan Yüksel, Cins, Çağrı Saray, Didem Erbaş, Doğu Çankaya, Horasan, Işıl Eğrikavuk – Jozef Erçevik Amado, İpek Çankaya and Murat Germen, in the exhibition titled “Festival of Insignificance,” curated by Bahar Güneş and Öykü Demirci. “
“We’ve known for a long time that it was no longer possible to overturn this world, nor reshape it, nor head off its dangerous headlong rush. There’s been only one possible resistance: to not take it seriously.” MilanKundera
“Insignificance is cynically associated with the concepts of disinterest, disregard, indifference and laxness. In his novel “Festival of Insignificance” Milan Kundera refers to another power of the words: “Insignificance is more powerful than mockery, satire, and sarcasm.” This quote can be understood as follows: To be indifferent to something, someone, or any particular situation is to question their existence. Even though it is perceived as a passive questioning at first sight, this attitude has a bigger impact than any reaction possible, even than the most violent ones as being indifferent to something means ignoring it. It means derogation of the power one has and declaring it null and void. Each statement exists as long as they find a subject for themselves and as they are responded. In this sense, insignificance deprives the opposed of existence and power. In this day and time, insignificance as a way of resistance represents another meaning in the structures where the distinctive presences are lost, standardized crowds increased, any type of violence is normalized, different cultures lost their borders, the people differing from the majority are marginalized. In the exhibition “Festival of Significance,” taking its title from Milan Kundera’s novel, insignificance does not mean to come to terms with the age we live and have created together, integrating with it and living without questioning. On the contrary, it means seeing what is negative and seeking out what is positive. It means to mark one’s own point of view with the inspiration of the good rather than an escape plan. It means to develop your own responses and ignoring what is ongoing no matter how much it looks extensive and accepted. It means a war against any circumstance in which the individual loses faith in the possibility of a better world, and in the eternal condition of being and existence, and against any situation that prevents self realization and subjectification. The artists, invited to “Festival of Insignificance” reveal their methods to take and not take the life seriously, and their insignificances with their solutions in the worlds they live and observe. The exhibition takes the space where personal stories and humanly and vital reactions such as disappointment, struggle, hope and resistance clash with any kind of power as a benchmark and examines the artistic responses to ways individual or collective existence based upon the questions, searchings and inspirations regarding this world. The exhibition featuring artists who have different approaches and answers to the time and environment they live in, brings together their political, poetic [and] or humourous languages of expression regarding hope with the intension to create a holistic narrative. “